{"id":87,"count":55,"description":"En 1948, L\u00e9on Bellefleur signe le manifeste <i>Prisme d\u2019Yeux<\/i>, ajoutant sa voix \u00e0 celle d\u2019un groupe d\u2019artistes qu\u00e9b\u00e9cois dont le peintre Alfred Pellan est la figure de proue. Publi\u00e9 quelques mois avant le <i>Refus Global<\/i>, le texte met de l\u2019avant l\u2019affirmation d\u2019un art ind\u00e9pendant et ouvert sur les esth\u00e9tiques les plus vari\u00e9es, o\u00f9 la libert\u00e9 d\u2019expression a pr\u00e9s\u00e9ance sur les doctrines radicales. L\u2019\u0153uvre de Bellefleur est r\u00e9v\u00e9l\u00e9e deux ans plus tard lors d\u2019une exposition conjointe avec le peintre Fritz Brandtner au Mus\u00e9e des beaux-arts de Montr\u00e9al, \u00e0 l\u2019occasion de laquelle une trentaine de tableaux d\u00e9voilent \u00ab l\u2019inspiration d\u2019un courant surr\u00e9aliste personnalis\u00e9 qui traduit l\u2019envers tumultueux des r\u00eaves et de l\u2019imaginaire nocturne en formes pulsives et improvis\u00e9es \u00bb, \u00e9crit Guy Robert. Lib\u00e9r\u00e9 de ses charges d\u2019instituteur en 1954, Bellefleur entreprend un voyage en France et se d\u00e9voue enti\u00e8rement \u00e0 son art. La reconnaissance officielle de l\u2019artiste vient en 1968, quand le Mus\u00e9e des beaux-arts du Canada (autrefois nomm\u00e9 la Galerie nationale du Canada) organise une r\u00e9trospective, qui partira en tourn\u00e9e dans trois mus\u00e9es. En 1977, L\u00e9on Bellefleur est le premier r\u00e9cipiendaire du prix Paul-\u00c9mile-Borduas.","link":"https:\/\/bydealers.com\/fr\/artists\/leon-bellefleur-fr\/","name":"L\u00e9on Bellefleur","slug":"leon-bellefleur-fr","taxonomy":"artists_tax","parent":0,"meta":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>R\u00e9sultats d&#039;ench\u00e8res - Acheter et vendre L\u00e9on Bellefleur - BYDealers<\/title>\n<meta name=\"description\" content=\"In 1948, L\u00e9on Bellefleur signed the Prisme d&#039;Yeux manifesto, joining a group of Quebec artists led by painter Alfred Pellan. The manifesto, published before Refus Global, emphasized an independent art that embraced diverse aesthetics, prioritizing freedom of expression over radical doctrines. Bellefleur&#039;s artwork was showcased two years later in a joint exhibition with Fritz Brandtner at the Mus\u00e9e des beaux-arts de Montr\u00e9al, featuring around 30 paintings that expressed a personalized surrealist approach, capturing the tumultuous depths of dreams and nocturnal imagination through spontaneous and pulsating forms. In 1954, freed from his teaching duties, Bellefleur embarked on a journey to France, fully dedicating himself to his art. Official recognition came in 1968 when the National Gallery of Canada, formerly known as the National Gallery of Canada, organized a retrospective that toured three museums. In 1977, L\u00e9on Bellefleur became the inaugural recipient of the Paul-\u00c9mile-Borduas Prize.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/bydealers.com\/artists\/leon-bellefleur\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"R\u00e9sultats d&#039;ench\u00e8res - Acheter et vendre L\u00e9on Bellefleur - BYDealers\" \/>\n<meta property=\"og:description\" content=\"In 1948, L\u00e9on Bellefleur signed the Prisme d&#039;Yeux manifesto, joining a group of Quebec artists led by painter Alfred Pellan. The manifesto, published before Refus Global, emphasized an independent art that embraced diverse aesthetics, prioritizing freedom of expression over radical doctrines. Bellefleur&#039;s artwork was showcased two years later in a joint exhibition with Fritz Brandtner at the Mus\u00e9e des beaux-arts de Montr\u00e9al, featuring around 30 paintings that expressed a personalized surrealist approach, capturing the tumultuous depths of dreams and nocturnal imagination through spontaneous and pulsating forms. In 1954, freed from his teaching duties, Bellefleur embarked on a journey to France, fully dedicating himself to his art. Official recognition came in 1968 when the National Gallery of Canada, formerly known as the National Gallery of Canada, organized a retrospective that toured three museums. 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The manifesto, published before Refus Global, emphasized an independent art that embraced diverse aesthetics, prioritizing freedom of expression over radical doctrines. Bellefleur's artwork was showcased two years later in a joint exhibition with Fritz Brandtner at the Mus\u00e9e des beaux-arts de Montr\u00e9al, featuring around 30 paintings that expressed a personalized surrealist approach, capturing the tumultuous depths of dreams and nocturnal imagination through spontaneous and pulsating forms. In 1954, freed from his teaching duties, Bellefleur embarked on a journey to France, fully dedicating himself to his art. Official recognition came in 1968 when the National Gallery of Canada, formerly known as the National Gallery of Canada, organized a retrospective that toured three museums. 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The manifesto, published before Refus Global, emphasized an independent art that embraced diverse aesthetics, prioritizing freedom of expression over radical doctrines. Bellefleur's artwork was showcased two years later in a joint exhibition with Fritz Brandtner at the Mus\u00e9e des beaux-arts de Montr\u00e9al, featuring around 30 paintings that expressed a personalized surrealist approach, capturing the tumultuous depths of dreams and nocturnal imagination through spontaneous and pulsating forms. In 1954, freed from his teaching duties, Bellefleur embarked on a journey to France, fully dedicating himself to his art. Official recognition came in 1968 when the National Gallery of Canada, formerly known as the National Gallery of Canada, organized a retrospective that toured three museums. 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