Miyuki Tanobe was born in 1937, in Marioka, Japan. From a very young age, she studied under Itaru Tanabe, the great oilpainting master, as well as the famous Chou Ota. In 1959, Tanobe graduated as a drawing and painting instructor from the Tokyo University of Fine Arts (GeiDai). She also studied under Seison Maida, the uncontested master of Nihonga. Her first exhibitions took place in 1960 and 1961, and in the latter year she was accepted to the Fall Salon of Nihonga painting in Tokyo. In 1962 and 1963, she worked at the studio La Grande Chaumière in Paris and enrolled in the École Supérieure Nationale des Beaux-Arts de Paris, where she studied under Chapelain Midy. Following a brief return to Japan, Tanobe moved to Montreal in 1971 after meeting Maurice Savignac. Since 1972, she has had regular solo exhibitions at the Galerie l’Art français, which later became Galerie Jean-Pierre Valentin. Miyuki Tanobe’s work depicts scenes from everyday life in neighbourhoods in Montreal and other Canadian cities. Her colourful, playful documentary style is similar in appearance to naïve art. She uses a technique of Nihonga applied on an acrylic-primed Masonite panel. Nihonga, developed in Japan in the late 19th century, involves mixing handground coloured pigments with glue and applying them with a paintbrush and water. Rock crystals, sand, and other minerals are incorporated to lend the surface more or less texture or substance. Tanobe paints onto rice paper stretched over a frame or directly onto rigid panels. Tanobe received a Canada Council award for her illustration of the Gilles Vigneault poem “Les gens de mon pays” in 1981. In 1994, she became a member of the Royal Canadian Academy of Arts, and she was elected an Officer of the Ordre national du Québec the following year. In 2002, Tanobe was appointed a member of the Order of Canada and received the Queen Elizabeth II Diamond Jubilee Medal.